Edwards offers a number of trumpet finishes in order to meet the needs of our customers. These finishes create a variety of looks, but more importantly, each has unique playing charactersistics.
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A raw brass-finished horn can provide a player with a very warm, natural sound. Like silver and gold plate, this finish is sometimes described as creating a "wide" sound. If an individual wants tighter partials, then a raw brass horn is not recommended.
Perhaps the biggest drawback of owning a raw brass instrument is the fact that it will tarnish very rapidly; therefore, it requires constant vigilence to maintain. Raw brass instruments and components are available upon request, but restocking/relacquering fees do apply.
Silver plate is thinner than lacquer and thus will not dampen the resonance of the horn as much as lacquer. However, a silver plated horn will tarnish over time. More maintenance is required than that of a horn with lacquer or gold plate. Silver is a great alternative for the player that wants his/her instrument to play like a raw brass instrument but does not want the extreme tarnish associated with an unfinished horn.
Silver plating a trombone adds 30% to the price due to the size of the instrument. All trombones done in silver plate are special order non-returnable items. Silver plate is standard on most Edwards trumpets.
"Satin" is the latest finish option offered by Edwards. It is achieved by scratch brushing the instrument. The end result is a uniform semi-matte finish. Each Satin-finished instrument will have its own unique look as Edwards technicians have artistic control over the process.
Some players feel that a Satin finish creates a wider sound than lacquered or plated instruments. At this point, we have not done enough research to come to any conclusions ourselves.
Feel like a Test Drive?
Visit the Edwards Pro Stop and work one-one-one with Christan or Michael.
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In Their Own Words
"If you are looking for a C trumpet that has a clear, round sound with incredible intonation, then have Edwards make you a copy of the horn Christan made for me: Generation II C with a reverse Bb leadpipe. No more cross fingerings for Db,D,Eb or E and the top C and D slots right in. I've now used it in a range of repertoire from Berio's Sequenza X to Poulenc's Trio to 1st trumpet in Strauss' Alpine Symphony. I also played it on the latest Graham Ashton Brass Ensemble cd for Signum Records (London). It really is a sensational horn. Go try it!"
Professor of Trumpet/Chair of Brass, Purchase College, State University of New York