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Jonathan Whitaker
Assistant Professor of Trombone and Low Brass,
Henderson State University
Jonathan Whitaker joined the faculty of Henderson
State University in Arkadelphia, AR as Assistant Professor
of Trombone and Low Brass in 2004. Whitaker has also completed
his doctoral coursework at Indiana University where he served
as Associate Instructor of Trombone from 2001-2004.
While in school at Indiana University, Whitaker served as president
of the Indiana University Chapter of the International Trombone
Association. He coordinated and organized guest artist appearances
by Edward Kleinhammer, Douglas Wright, Blair Bollinger and Henry
Charles Smith. Most recently he was the key organizer of the
commissioning project for Eric Ewazen's Visions of Light with
the world premier performed at the 2003 Midwest Clinic by the
New York Philharmonic's Principal Trombonist Joseph Alessi and
the IU Wind Ensemble.
Whitaker is an active performer as both a soloist and orchestral
musician. He has appeared as a soloist with the Indiana University
Wind Ensemble, the Augusta College Symphonic Band, the Purdue
University Symphony Orchestra and the Henderson State University
Symphonic Band. He also performed the American Premier of Johan
de Meij's T-Bone Concerto with the Murray State University Symphonic
Wind Ensemble. Whitaker's orchestral experience includes performing
with the Owensboro Symphony, the Evansville Philharmonic, the
Duluth-Superior Symphony, the Jackson Symphony and the Paducah
Symphony orchestras. Whitaker is currently Principal Trombone
with the South Arkansas Symphony, a member of the Arkansas Brass
and a founding member of Stentorian Consort, a newly formed trombone
quartet.
Whitaker holds degrees in trombone performance from Murray State
University and the University of Minnesota. He has taught in
the Caldwell County School District and is in demand as a clinician
and guest conductor for high school music festivals throughout
Kentucky, Tennessee, Indiana, Louisana, Texas and Arkansas. Whitaker's
primary teachers include Ray Conklin, Tom Ashworth, M. Dee Stewart,
Peter Ellefson and Joseph Alessi with additional studies with
Arnold Jacobs, Edward Kleinhammer and Douglas Wright.
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"My Edwards is the instrument that allows
me to best match the sound concept that I have in my head.
It is the most free-blowing and consistent horn I have ever
played. Its rich, thick sound is even throughout all registers."
Jonathan Whitaker
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