Tenor Trombone Artist
Principal Trombonist, Hartford Symphony
Principal Trombonist, Springfield (MA) Symphony
Professor, University of Southern Maine
- Model: T350
- Bell: 321CF, 336CF
- Slide: T-BCN
- Tuning Slide: Rose
- Leadpipe: T3 Brass
"I choose to play Edwards for the even control throughout the horn's entire range. Just as we as musicians are constantly evolving, so too are the Edwards trombone designs. Case in point- my old Edwards valve (which had never given me ANY problems) began showing signs of old age, so I took a look at a new one. I couldn't believe how much more free-blowing and smooth it was!
"When playing in a section of Edwards instruments, blend is immediate and the sound is gorgeous. Much of the work in section playing is removed by the nature of the full, round sounds of the Edwards trombones.
"Additionally, I would recommend playing Edwards trombones for any audition that should come up. The reason is simple- I want to eliminate as many possible hindrances (intonation difficulties, uneven sound) and concentrate on playing each round. The Edwards design leaves you free to promote your music!"
- None listed
After graduating from the Interlochen Arts Academy (where he received the Fine Arts Award for Brass) trombonist Brian L. Diehl, a Maine native, received his B.M. from Northwestern University and his M.M. from the New England Conservatory of Music (becoming the first brass player at NEC to receive the Rabb Presidential Scholarship; as well as the Theodore Presser Award). Mr. Diehl was a Fellow at the Tanglewood Music Center for two seasons and worked under Leonard Bernstein, Seiji Ozawa, Simon Rattle, Jeffrey Tate, and Marek Janowski. He also was selected to a three-year Fellowship with the New World Symphony, under the direction of Michael Tilson Thomas, with whom he toured and recorded extensively.
Mr. Diehl is the newly appointed Principal Trombonist with the Hartford Symphony Orchestra, under Carolyn Kuan's Direction. He also holds the Principal Trombone position in the Springfield Symphony Orchestra, under Kevin Rhodes Direction, which also includes performing at the Berkshire Choral Festival. He has performed with many regional orchestras and ensembles throughout New England, including: Rhode Island Philharmonic, Albany Symphony, and Boston Modern Orchestral Project, for which he has recorded several albums of new music.
Former Principal trombone of the Florida West Coast Symphony (now the Sarasota Orchestra, FL), Mr. Diehl has also performed with the Boston Symphony, Boston Pops, and Boston Pops Esplanade, as well as performances with The Florida Orchestra (Tampa), and the Chicago Symphony Orchestra, where he made a recording in 1989 of the music of Verdi's Opera Highlights with Sir Georg Solti. He has also performed under such notable conductors as Luciano Berio, Leonard Bernstein, Eduarto Mata, Gunther Schuller, Stanislaw Skrowaczewski, Stephan Sanderling, Bernard Haitink, Jahja Ling, Michael Tilson Thomas, and Leonard Slatkin. He was chosen as Principal Trombone of the American-Soviet Youth Orchestra, performing under Zubin Mehta and Dmitri Kitayenko in major cities in both countries. Additionally, Mr. Diehl was selected as Principal Trombone to represent Maine in the McDonald's All-American Band, marching in the Macy's Thanksgiving and Pasadena Rose Bowl Parades.
Mr. Diehl is an avid soloist and proponent of the trombone. He has commissioned and arranged several works for the trombone, most recently from composer Sanae Kanda: A Folk Tune. Other past commissions include Anthony DiLorenzo's concerto Little Buckaroo, and Lauren Bernofsky's solo Devil's Dermish, and have received rave reviews throughout the world. His book "Low Brass Essentials" has been a text for numerous brass students, and has been used by students at Northwestern University. He has performed as a Solo Guest Artist with the National Repertory Orchestra in Colorado, soloist with New World Symphony, Florida West Coast Symphony, and as a concerto competition winner with the New England Conservatory Orchestra. Mr. Diehl was chosen as Finalist in the Houston Symphony's "Ima Hogg" Concerto Competition 1994, and has done solo work with Trombone Seminars of Christian Lindberg and Joseph Alessi. Past teachers have included: Mr. Frank Crisafulli, Mr. Jay Friedman, Mr. Joseph Alessi, Mr. John Swallow, Mr. Norman Bolter, and Mr. Douglas Yeo. Mr. Diehl has tailored solo trombone music for regular performances in area church services.
One of Mr. Diehl's passions is performing in Chamber Music settings, and has been active throughout his performing career, from Brass Quintets to performing as a soloist within an unlike ensemble, such as Roger Goeb's Quartet for String Quartet and Trombone at Musicorda String Festival. He is a member of two working brass quintets, Epic Brass with whom he has toured and taught extensively, and Innovata Brass, a current group of wonderful players touring and recording their unique program of music. Past performances include member of New World Brass, made up of principal players from the New World Symphony, with whom he toured and recorded Ingolf Dahl's Music from Brass on Argo label, as well as performances at the US Embassy in Paris, in Monaco, and in the Cayman Islands.
Mr. Diehl maintains a rigorous teaching schedule in addition to his many performance activities. He is Low Brass Teacher and Chamber Music Coach at New England Conservatory's Preparatory Division, and serves as Artist Faculty at University of Southern Maine in Gorham. Additionally he teaches numerous high school-aged musicians in his private studio. Past teaching posts have included University of South Florida in Tampa; Manatee Community College in Bradenton, FL; Miami-Dade Community College; as well as Florida International University in Miami.
Latest Blog Post
Edwards is proud to be a sponsor of the 2018 Georgia Trombone Summit, which will take place at the University of Georgia on May 23 – 26. This four-day event, hosted by Josh Bynum, will feature a stellar cast of musicians, including the Boston Symphony Orchestra trombone section (Toby Oft, Stephen Lange, and James Markey), Marshall […] more ››
In Their Own Words
"My Edwards helps me make a sound that is clear and projects well in the orchestra. I have especially appreciated the modular aspect of the instrument, as it allows me to fine tune the horn for different repertoire and playing situations."
Second Trombonist, Philadelphia Orchestra